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Karen Elson - The Ghost Who Walks

12/29/2011

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wikipedia.com
Another cousin suggestion. Naturally, there's a White Stripes connection here. Karen is Jack White's current wife, though they've filed for divorce. She's also a model in the UK who's done just about every clothing line and cover you can think of. She owned Venus & Mars down in Nashville. She's a designer for Nine West. She is the founding member of The Citizens Band, a political cabaret troupe in NYC. Oh, and she's a singer-songwriter.

This album was written without her husband's knowledge, with her hiding in the bathroom so he didn't know what was going on. Eventually, his asking about it got the answer, and he wound up producing this first and only album thus far of hers. And as a personal gushing note, her song "If You Love Me, Why Am I Dyin'?" was used at the end of the True Blood episode, "Season of the Witch".

The album title here comes from her personal nickname in high school because she was so pale. That heatseakers chart we talked about a few entries ago placed her at #16 when the album dropped, but the single by the same title never broke our charts. On the UK indi charts, this reached #2. Overall, I think it's probably a lesser-known album to the masses, and even to a lot of indi followers. In otherwords, I'll be interested to see what we're dealing with here. Here's a little opening video for us to get to know Karen a bit (anyone thinking Nicole Kidman while watching?) --

Now that we know her a little better, it's time for the track-by-track!

"The Ghost Who Walks," the title track, starts things off. She wasn't kidding - there is some evil behind this track, and the lyrics portray it 100% while the music deceives us. It's got love leading to death and all happening at night. Yet, the music has an up beat and tones that are quite happy. The voice is what melds it all - she's a little muffled, but the effect is just enough to make us question where our heads are supposed to be at here. The video must have a different mix, because I get a totally different feel here:
I adore her and her fiery hair in this video. Wish it were better reflected on the album, but it does make me like the track as a whole much more than a few minutes ago. This was shot at a video session produced by Jack White back in 2010 at Third Man Records.

This next one, "The Truth Is In The Dirt" has more of a guitar rock feel to it, with a regular rhythm to the vocals. I can't get into this for some reason. There might be something appealing there, but it's just not hitting home. I like the bridge a whole lot, but I think that's because it lends something different to the track as a whole. There is, however, a nice dark, beautiful video to accompany this:
"Pretty Babies" has a tango-sort-of beat, which is really cool and unique to this kind of music. The song itself leaves something to be desired, but it's enjoyable on some level. The drum backing is fantastic. I think its her lyrics that aren't really grabbing me all that much; she's clearly got an anger thing going on. Maybe there was a reason she was hiding the writing from Jack.

"Lunasa" has a much lighter tone to it, and this is where I can understand the critics' comparisons to Loretta Lynn, especially in her recent work. There's even, dare I say, a country-ish sound? There is still a darkness to the lyrics, don't get me wrong, especially in a song that about the setting of winter/night upon us. It's a great use of contrasting things that people won't realize unless they're really listening. The song itself is too beautiful to realize it.

We've gone from tango, to country porch, to Moulin Rouge. "100 Years From Now" has the old 20's feel of a piano in an old bar. It calls back to the old times of love, and the sad times of it all, and how it will not matter later. When you're old, it just doesn't matter how much you loved or lost then. I don't necessarily believe this, but hell, it works for this chick's dark side.

"Stolen Roses" now takes us into a scottish theme. I have to give her credit, she's trying a little of everything! "The thorns on roses cut through my skin. The vultures fly down and peck." I actually love the way this is going. I know it's incredibly morbid, but the imagery in this song is incredible. If you have a chance, look up the lyrics while you're listening; it's just really well-put together poetry.

And we're off to the barn dance! "Cruel Summer." This is no Ace of Base here people. This is a depressing spin around the barn after the worst kind of summer. Love absolutely failed for this story. And she's forced to watch the girl who stole him enjoy the dance. "I mutter a lonesome goodbye." At least the harmonies are uplifting, if you don't listen to what they're singing. Here's an acoustic version that I actually prefer a lot. This is always a good way to see how an artist can bring it without the studio behind them:


There is most definitely heart here that you don't here as much on the album. Just saying.
"Garden" is, yet again, in a whole other direction. It's got the haunting tones that The Girl With The Dragon Tattoo soundtrack had too often (I caved and saw the movie by the way - incredible!!!), but then comes in with moving drums and voices. The harmonies are a little jaunting though. The lows and highs don't mesh nearly well enough and it's too clear there are two voices, almost making it seem like two people are singing for their own reasons. Maybe I'm a choir snob, but I feel like this arrangement should have been better.

"The Birds They Circle" has a much more traditional song. It's more dark and sinister than it is depressing. The piano line falling in the bridge is absolutely gorgeous though, and I would take that arrangement as an instrumental track any day. The lyrics don't lend much to the track at all - I think we could absolutely get the point without them.

The crooner number of "A Thief At My Door" takes this much more slowly but intensely. This takes us away from the sadness I think a lot of the album has been portraying and places blame on someone for it. There's anger instead, for making her this way.

"The Last Laugh" totally sounds like it's from Jack White and Loretta Lynn's debut album (a great listen if you haven't heard it), but then turns back into something distinctly unique and heartbreaking. "In the ned, we're small grains of sand, running through fingers, blowing out with the wind... So won't you save the last laugh for me?" Maybe there is some hope to her love?

"Mouths To Feed" is our final track, and it's got the darkest ending tone I've ever heard on an album. This is like a combination of those country themes we were hearing and her down in the dirt depression. She's all alone now with her tears and herself. That's it.

Here's the tracks I wouldn't mind hearing again:
  • "The Ghost Who Walks" - Spotify, YouTube
  • "Lunasa" - Spotify, YouTube
  • "Stolen Roses" - Spotify, YouTube
  • "The Birds They Circle" - Spotify, YouTube
  • "The Last Laugh" - Spotify, YouTube (it's someone's personal video, but it's the only one I could find with the track as recorded)
5/12.

When I was growing up, I always wanted to make an album where every single song was different from the last, delving in to all genres. I now realize why that's not a great idea without some kind of clear understanding of how to transition from one track to another. I have found that the best ones out there that I've heard are albums that feel whole together, but can be enjoyed separately track-wise as well. 

This was an interesting 180 in a lot of way, mostly because I like the tracks by themselves, but not as a compilation. It's too strange of a jump from one to another. The girl has got a voice though, and has now used it in a very interesting and unexpected way. I can see how she fits for True Blood, and I can see how she fits as Jack White's wife, and I can hear her music for what it is - a self-expression that could have only ever come out in this manner.

The one question I am left with is: can I be Jack's next wife so he produces my debut album? What a giving husband..



If you're not too depressed by the end of this, leave some comments on the entry! I'll love yah more than I'm starting to this Karen loves Jack...
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Kevin Hearn - Cloud Maintenance

12/20/2011

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musiccanada.wordpress.com
NEW MUSIC TUESDAY!!

Just released to the world today is the second solo album of Kevin Hearn (the first of which was released in 1997). If you don't know, or realize, as I didn't, he was the keyboardist in Barenaked Ladies!! So, how cool will this be? 

Each of the songs is supposed to "take you somewhere," according to his website. And this guy has quite a musical background, having contributed to several bands other than BNL, obviously keeping busy and going about music in his own way. I'm ready to see what he's got on his own.

Let's take it to the track-by-track:

"Northland Train" kicks things off... at a total lull. And this isn't the good mellow that James Blunt brings us, it's dragging and dull. And it's sad - all about longing for something. I appreciate the trace-like beat that kicks in at about 2:00, but I've already been lost on this one, personally.

"She Waved" kicks in with some interesting piano and a beat that makes you feel like something will happen. But again, that voice just makes it lag and a little painful. I could absolutely fall asleep to this, but I'm not sure that's a good thing. I'm going to go ahead and keep writing my Christmas cards while this finishes.

Ah, it's over, and "Don't Shuffle Me Back" is pulling things a little more up-beat and variety. This may be the nostalgic in me, but this awkward sound of his is what I think I was missing for some reason. The lyrics are still a little goofy, but not enough to be a fun hang out song like their previous work had been. It's okay though. Maybe I'll have renewed hope for the rest of the CD.

"Grey Garden." Damn you whispery sing-song voice. *sigh* I get it, I have to deal. Ignoring everything I don't like about this song, let alone the album, I want to close my eyes and be in Wonderland for this - Tim Burton's version, mind you. So I'm going to say I like this song. A little. Enough for the "Hard Times" playlist at least.

This has got to be the most depressing piano melody I've ever heard. "Tell Me Tell Me" is not getting much better. It's all about nostalgia for a love's happiness. And it's the point in the album that I'm going to get do my research for the beginning of this review. See yah in a few minutes.

And were back with "The House of Invention." Whoa, was that a different instrument? Is that a jolly beat? Is he not whispering?? FINALLY! Okay, lyrically, there's something lacking big time. But at least we're on the right journey toward something listen-able.

"Always Changing" is most definitely a journey song, but so depressing as hell. It's about going to pay last respects to a friend. Whew, this is actually pretty heavy. It's also got lines about promising to do your best but accepting that things are always changing. I do love the music to this though, and may even enjoy it more without the lyrics. The music itself takes a journey if you can focus in on it alone. I found a live video of this that captures it, in my opinion, a lot better than the album does:


"See You Again" is really cute. It's got that piano and nice bridge and all. Very adorable. Catchy almost. And, well, that's all I've got on this song.

"The City of Love" isn't bad. It's extremely mellow, but at least there's a happy ending to the story. It's very relaxing without having the only voice be breathy and annoying.

And finally, for something completely different. "Monsters Anonymous" has got to be that smart, funny song on the album that has more than meets the eye. We hear the stories and opinions of the different classic monster types, and it makes them pretty real with some rough problems. This could make an awesome video... Someone contact me and let's get on this one.



Stuff I Wouldn't Mind Hearing Again:
  • "Always Changing" - Spotify, YouTube
  • "Monsters Anonymous" - Spotify, YouTube
2/10 and no real videos to show yet because it's brand new and he didn't release any singles. The live versions on these links are kind of cool though - if you want to check more out, I suggest flipping through the playlist the one for "Always Changing" takes you to.

This is, let me note, a man who fought and survived Leukemia. He can honestly do whatever the hell he wants to musically, and I won't argue with him. I respect his devotion to music and desire to keep doing whatever he wants to do. This album just... didn't strike a chord with me.


Apologies to one of my best friends EM who's a big BNL fan.

It's a really cool cover though!!




Thoughts? Share them!!!


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The Black Keys - El Camino

12/17/2011

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Picture
npr.org
(re-edited 12/29/12)


2013 Grammy Nominations:
  • Record of the Year for "Lonely Boy"
  • Album of the Year
  • Best Rock Performance for "Lonely Boy"
  • Best Rock Song for "Lonely Boy"
  • Best Rock Album
  • Producer of the Year - Dan Auerbach


I have officially run in to the first album I can't find on Spotify. I guess it hasn't been cleared for release there yet. :( The good news is, though, that I found some wonderful human who put it up on YouTube! So, this'll be interesting, but I'm down if you are.

If memory serves, I think I've seen these folks live at a festival before. All I know is I really dig their music a lot and am excited for some new tracks. I actually would love to spend more time listening to them and need to make a mental note of that. 

I'm too excited for the new music - let's rock the track-by-track:


"Lonely Boy" opens up the album, and I couldn't resist - I know someone will get a kick out of this accompanying video:

This was the first official single, and I really like it. It's got a fun dance groove to it. It's also the only thing they've put on Spotify from this album (as a single), so I can actually hear it again without much effort (yes, I'm ticked at licensing right now).

"Dead and Gone" is track two. It's not quite different enough to make an impact on me right away, honestly. I like it, but not as much as the kick-off number. The beat's kickin' though, and would make an awesome live show song to get people moving, despite the lyrical dragging a little and slightly low nature of the story.

"Gold on the Ceiling" has this awesome hook to it that I would be willing to hear alone again and again. There's some twisted kind of soul to it. I just want to dance to this one real bad. Holy cow I need to see them live again.

We slow on down with "Little Black Submarines." Oh wow - there's a heavy line in this: "but everybody knows that a broken heart is blind." Jeese. Ow. This whole thing has a general sadness over it with a very light tone in the instrumentation. About two minutes in though, the music changes completely, bringing in electric guitars shredding it up and bringing anger into the mix.
"Money Maker" has a White Stripes sort of sound to me. I don't hate it one bit, but it's not grabbing me especially. The rock feel reminds us that this band likes to do their own thing and doesn't stick to one sound, because this one certainly doesn't fit the mold of what we've been hearing so far. It's all good though.

"Run Right Back" is up next, and I already kind of like where it's going with the opening riff. I mostly dig this one because of the lyrics. It's all about addiction to a girl and his view of her. I love that this girl is flawed and aggravating. Hey, someone's got to love us crazies, right?

The next one's "Sister" and there's this kind of 70's hippy feel to it. The whole things very chill and relaxing musically with lyrics that cry out a little for understanding. That synth and guitar are so old-school it's crazy. Kudos to these guys for writing something like this. The YouTube video from the playlist for the whole album even has a different color picture on it than the rest.


"Hell of a Season" is very beat based, and the drums and guitar trade it off if you're listening in a bit. I like it, but at the same time it annoys me a little? I can't put my finger on this one. It's just not jiving for me with the rest of the album.

Now "Stop Stop" brings me back in a little bit to the same feel I was enjoying before. This album is so one for playing on a night-out-in-the-garage-night, for those who know what I mean. "This love is so strong it should've been against the law." Ahhhh that's cool. There's a great word for this song - it's really just cool. 

"Nova Baby" immediately made me happy with that intro. This is totally a great live song just by the sound of it. Lyrically, it's actually a slightly evil sounding song. But right now, I'm just loving it musically. Despite the lyrics, I even enjoy the words being with it, just because of the mix and actual sound of the vocals. The way they record vocals adds a level of ambiance that's so interesting and kind of entrancing.

"Mind Eraser" immediately strikes me as an album closer. There's a finality about it that's kind of cool, kind of strange. I mean, there is that line "don't let it be over," but there's something that says "the end" within the tone of the song regardless. Damn, it's over.


If Spotify had this album, here's the stuff I would add to my "stuff I wouldn't mind hearing again" playlist:
  • "Lonely Boy" - YouTube
  • "Gold On The Ceiling" - YouTube
  • "Little Black Submarines" - YouTube
  • "Run Right Back" - YouTube
  • "Sister" - YouTube
  • "Stop Stop" - YouTube
  • "Nova Baby" - YouTube


Yup, I pretty much enjoyed this whole album. These guys put music together in a different way then most bands with a big name do (in my experience, they've been pretty well-known in name). I have yet to be disappointed in anything I've heard. Now all I really need a cool group of folks and some couches and a long night to just kick back and listen to this one again.


Also, NPR does incredible music reviews (that's how I first heard of these guys in general actually), and the link came up when I googled the album for info and the pic, and I really think that, now that you've finished reading my review, you should check out they're podcast on it (I wish I could do mine that way...).



Spotify, I hope it's another long while before we have to be on bad terms for an hour again. At least I didn't have to go searching for the YouTube videos this time. And I listened to funny old WWE moments while I typed this up. Seriously, look up "funny WWE moments" and be prepared to be awake for a while laughing. I miss Y2J.



Yay tangents on other stuff! Seriously, I loved so much on this album - what're your thoughts?
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Joe Jackson - Night and Day

12/16/2011

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Picture
wikipedia.com
Not that I necessarily have daily readers, but I'll apologize anyway for no new posts being published the past couple of days. I've barely slept, let alone written. But I'm back and will be making it up!

Today I'm taking a look at one of Joe Jackson's albums on suggestion from the same guy who gave me the push to try Steely Dan. I was really pleased with that experience, so I'm more than willing to give this one a shot. 

This one comes to us from 1982 and was apparently meant to be a pay tribute to the "wit and style" of Cole Porter as well as sort of to New York. It reached #3 in the UK and #4 in the US, and "Steppin' Out" reached #6 on the Billboard charts, while "Breaking Us In Two" get to #18. So it's one of those things that got a little critical and mainstream appeal, but not so much that it's over-talked-up. Sweet, right up my ally.

Track-by-Track:

I really dig the opening notes and beat for the first song, "Another World." Given that note on the album kind of being about New York a bit, I'm feeling this song a little more on the second listen. It speaks about the city in a highly accurate way. Kind of just want to walk the streets of the city with this bursting through my headphones. It feels like the perfect beat for that kind of roaming.

This whole album flows into each other, making it a cohesive journey instead of individual songs. You can tell it's probably meant to be listened to as a whole, which makes me almost want to upgrade Spotify to get rid of the ads that make this too obvious. Anywhos, the second track is "Chinatown" and probably one of the more annoying tracks on the album vocally. I think it's the words and how he's hitting them for some reason.

"T.V. Age" is telling, considering when it came out. Can you imagine it today? When are we not staring at screens? I know my computer is the center of my world for far too many hours of the day, hence why I don't feel bad missing a day of blogging - it means I was too busy with great people to get near the screen. Anywhos, the song. Yup, great subject, not so in love with the music, but the breakdown in the bridge with the sax is awesome! A little Bowie-esq to me though.

Well, this isn't good. I didn't realize "Target" had started playing. While the salsa beat is interesting, it's not appealing to me as a regular track to hear. To me, this feels like album filler. It's just not an intriguing song, even though the concept of it may be decent. I just don't feel like it was attacked in the right way.

"Steppin' Out" is the big single from this album, and you know you want to see the 80's video for it.


This is most definitely the song I've heard before. I always did like the piano in the beginning helping to build the song in a different way with such a retro beat behind it. And maybe there's more to it than about going out for the night, or maybe I'm reading too far into it on subjects of youth and making progress. But we're all free to make our own opinions of songs, right?

I feel like the same thing is happening in "Breaking Us In Two," which was the other single, and there's a video for it too, from Joe Jackson's VEVO account!

Yet, it's a little more mature in a way. Hm.

"Cancer" drags on for me, but it's kind of a funny song in a weird way. "Everything gives you cancer." I mean, true according to news reports, right? We just can't win. I can't figure out if this is meant to be a sort of humorous song altogether or now, but it doesn't really appeal as something I'd like to hear regularly. I mean, I'd probably bop my head a little to the song if I heard it in a casual setting, but that's about it.

"Real Men" is intriguing. It's incredibly intelligent and would probably be a great conversational piece. I live with 6 guys, so I was interested in hearing the take on this just based off of the title. There's a lot to the song itself, and it does ask the question of what real men are to the world in what they do and contribute, or not.

"Music has charms, they say. But in some people's hands it becomes a savage beast." The final track is "A Slow Song" and it's a pretty good one. I'm having a tough time with it because it's stirring up some thoughts I don't enjoy (someone once tried to use music as a manipulative tool on me, and that first line just made me angry for its truth). It's very well written though and, while I don't want to re-listen to it, it's something I'd suggest checking out if you have a few minutes.

The stuff I wouldn't mind hearing again:
  • "Another World" - Spotify, YouTube
  • "Steppin' Out" - Spotify, YouTube
  • "Real Men" - Spotify, YouTube
3/9. While I didn't love this nearly as much as some others I've gotten to review, I didn't hate it and would consider it again sometime. I can understand why there's something special about it though. The music's interesting, and the lyrics are fascinating. I'm looking forward to hearing more of this work in future sittings.




Go on, comment and share your thoughts!!
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