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Gorillaz - The Fall

12/15/2011

3 Comments

 
Picture
thefall.gorillaz.com
Oh goody! More background music!

I'm sorry. I really do enjoy the stuff these guys put out, but I could never listen to most of it on a regular basis. The only real reason for that is that I'm a lyrics nut and there's little to work with in their music. I can put it on for reading purposes though (I have a tough time with lyrics going on as I'm reading a book), or while I work. It's fantastic for that!

I have to give them props - 21 different apps were used, and this whole thing was recorded on an iPad in 32 days between Montreal and Vancouver.

The cool thing about this album right off the bat is that every song has a place in the title... sort of... so there's bound to be something that ties it appropriately to those places. It's described on the site as "a 15-track sonic journey." *Deep Breath*

There's an album preview, which was literally the only video I could find. For a cartoon band, they have failed thus far at putting out videos for this album, unless I'm really missing something here. I don't know, maybe they got too caught up in their singles collection that came out a few months later. I heard this album wasn't as good as the old stuff anyway, so maybe they tried to play it down? Anywhos, here's the trailer I tracked down, which is actually fan made:



Now for the tracks... here we go:

I can already tell I'm going to have a tough time coming up with meaningful commentary on this album, mostly because of the highly repetitive, highly electronic nature of this music. "Phoner to Arizona" opens up in what I assumed, at first, was an intro track (I've since learned otherwise as the other tracks are largely of the same nature). It has an ongoing beat, that's for sure. I'll try to accept this as it goes.

Oooohhhh lyrics. "Revolving Doors." Cool! Actually, I do like this one, even with the slightly obnoxious consistent beat to it. And there's some kind of story forming, and y'all know I'm a sucker for that. Watching life pass by. *sigh* As consistent as this beat is, it could be a very good set-a-trance song.

I like how "HillBilly Man" is starting off - not at all what I expected. Still a little too computerized for my taste, but I don't hate it. This one is lighter and the guitar riff (or at least what sounds like one) basing the song is really pleasant. Oh, and there is goes back into the techno-like beat. Damn it. I was into this for about a minute.

There's a cool weird train whistle kind of sound that leads us into "Detroit." The beat isn't so static either, which I'm enjoying. There's a lot of percussion-like movement going on. If I had to name an innovative track on this album, so far, this is probably it. This is the one that people could get up and dance to a little bit. Something different is here and it absolutely works. And is actually completely unexpected to me when looking at the track name alone. 

"Shy-town" brings us into a darker place, and takes the journey to Chicago. Now, I've never thought of this city as a dark place, but that's what the mood of the synth in this one entails. I can't totally make out what the voice is saying, but this is... trippy.

"Little Pink Plastic Bags." Hm. Title alone makes me think Victoria's Secret, but let's see what the song has to offer. Yeah.... no, they wouldn't play this in that store. It needs more wub-wub to it (let's see if my roommate's actually reading to catch that). This is a super slow one, which might be some odd attempt at being sexy? Sorry, stuck on the VS thing.

I thought my speaker chord was bugging out at the beginning of this one, "The Joplin Spider." I don't like the amount of electronic noise I can hear in this one. If I were watching Tron, I mean, cool, no big. But no on its own. I like the creepy-ness of the lyrics though, and wouldn't mind hearing them so much on a different accompaniment.

"The Parish of Space Dust" opens with a radio scanning and running into country music, then switching to some kind of... I don't really know how to describe this, but I kind of like it. I would really just like to close my eyes and enjoy this in a void of nothing, just the sound. There's radio clips and a growing symphonic sound behind it. It's about Texas according to the lyrics.

"The Snake In Dallas" has to also be about Texas, right? This one's got a different tone and has more of a connection to the wilderness and nature of Texas I think. There may even be some horns, or horn sounds, in there to give a lot of the primary melody.

A third Texas song - "Amarillo." I mean, it is a really big state. Anndddd this is, again, not what I would have expected given the title. It's trace-y, but I don't necessarily enjoy the way in which it does this. It actually feels kind of lazy to be honest. There's something lacking here big time.

Gaaahhhh damn it. "The Speak It Mountains" starts off with voices on some weird loop going over each other and being mixed all weird, and then some equally obnoxious computerized buzzing is introduced. Bah. No. Thank. You.

"Aspen Forest" thank you for coming on. As much as I may not enjoy the computerized tone of your scales, I am enjoying this much more than the last one. It's cutsy, but I like the piano coming into play a little bit in. This is clearly layering, and it's done pretty well.

Someone channeled their inner George Harrison for "Bobby In Phoenix (feat. Bobby Womack)," and I love it. This one is completely different, with blues and soul dripping all over it. Gorgeous sounds all around by everyone involved. More. More. More. Please. This is sweet music right here. This is like the best drum circle you've never been a part of.

"California And The Slipping Of The Sun" takes me out of my happy place quickly. It's very avant-guard and I'm just not down with it too much. I need someone visual to go with this one desperately, to be honest. That's about all I've got on it.

Oh my... "Seattle Yodel"... they're actually yodeling. No, really, that's the entire track. One quick yodel. And they're done.

See? I did it. Now here's the stuff I wouldn't mind hearing again (I tried to provide some YouTube links that have videos that just play audio as well if you don't have spotify - which you SHOULD):
  • "Revolving Doors" - Spotify, YouTube
  • "Detroit" - Spotify, YouTube
  • "The Parish of Space Dust" - Spotify, YouTube
  • "Bobby In Phoenix (feat. Bobby Womack)" - Spotify, YouTube
4/15 when it's all said and done. The good thing for me is that the stuff I like, I really, really like. I would listen to more albums by these guys just based off of these few songs.

Look, not every song can be "Feel Good Inc." or "Clint Eastwood," but they have a few good ones. I think the videos were the highlight here for me - love a good cartoon band after all. :)



I'm about to hit the hay for the night, but before we part, why not share your thoughts??
3 Comments

Nero - Welcome Reality

12/13/2011

1 Comment

 
Picture
musosguide.com
New music Tuesday is about to frighten me I think. I have absolutely no idea who this is I'm about to write about. Spotify has failed me in a description, and the related artists include Shrillex, Deadmau5, and Pendulum. I have a feeling I'm about to be in for somewhat of an interesting ride.

I'm choosing this off of the New Music Tipsheet (google it!), which lists every new release for each Tuesday (the usual industry release day), even if it's a re-pressing or compilation of older works. It's pretty great to see how much actually still comes out each week to the stores. It must be a re-release or re-shipment, because their site (www.thisisnero.com) says it came out August 15th, 2011, but singles were coming off of it back in 2010 ("Innocence") before the actual release. They only peaked on the US Electronic charts (#9), and none of the singles have made it to any of our charts. A London based band that isn't huge in the US - sounds like I have some new music on my hands here, and exactly the kind of thing I was looking for when I started getting into this thing. Awesome!


Also, this band shares a name with my car.

Now that I've rambled, let's dive in to the unknown!

"2808"... wait is this a movie score? Are we blasting off into space? I like it as an intro track, though I'm hesitant to use the word track.

Oooohhhhh, it's one of these groups. Sweet. I haven't heard some of this since my roommate left for New York. "Doomsday" is track two, and I think now we're sort of following a story of sorts. Kind of. I mean, someone at least told us that we're in the year 2808. Yay timeframe! Seriously though, nice, we're going somewhere with this.

I think.. yes, we have indeed moved into the next track. "My Eyes" is really cool actually. There's lyrics, which is always helpful to me. I really like the mix of lyrical usage and music accompaniment. Dude... this could totally be a laser rock show...

Okay, I'm back on track. "Guilt" is intense... like, there's something clearly going on here to whomever she's talking to, and I love it. This is actually a song I think I could get into. These guys have an awesome way of using speed and dynamics to enhance emotion like crazy.

"Fugue State," I'm just not into quite as much as the previous two. It's not bad, but not my cup of tea. A little boring or too typical maybe?

We start off with an interesting almost violin marching sound for "Me and You." There's something orchestral about this one, then is goes back into the synth we've come to know and... um... love, at this point in the album. But yay for lyrics again. This one totally comes off as a great dance song to get a crowd going. This would make an awesome opening track, if not for the rocket launch that was track #1 on this one.

"Innocence" has a whiny voice, and if you've been reading, that's one of my pet peeves. If I wanted to listen to children and/or whining, I'd watch Playhouse Disney. The song title captures the voice and the subject - she's upset she can't get him or whatever. The maturer, lower tones are what are singing "innocence" back at her, so maybe there's something to be said for teaching a lesson. I hope.

"In The Way" makes me want to scream at first because it sounds like someone's just hitting random keys on a synth. It goes on to be a very trance-inducing track.. minus those damn random 'notes.' Too disruptive.

The next track's title, "Scorpions," has me a little intrigued. The beginning of it even fit the creepy nature I expected and, actually, half-hoped for. Then the melody of sorts comes in, furthering the feel. I enjoyed this one. It's really unique of the rest of the album, and I think hearing the different is what pulls a listener in sometimes, especially when the rest is unknown.

"Crush On You" actually had me a little scared before I heard it because the only history I have with a song with the same title was from Aaron Carter and Britney Spears. And I'll be damned, they are going for the Aaron Carter route. Yay sampling. I don't hate it, and would actually have fun with this one at a show since I know it. But this is not what I was game for. When the mixing comes back in, it's too familiar again, and I was expecting more creativity in something like this album seems to be providing. I enjoyed the verse actually though, despite the pitch. I just wish it had come a little bit sooner.

I only really have one problem with "Must Be The Feeling" which prevents me from really liking it, and again, it's the voice itself. I think I've come to the conclusion that this is someone older and effects have been used to make it sound like a prepubescent boy. 

"Reaching Out" shook me for a loop, because it's clearly a man singing instead of a kid. Maybe there was supposed to be a growth journey in this whole album that I may have missed? Regardless, I like this one, even down to the simplicity of the lyrics: "reaching out for something to hold" is the main melody repeated. It's definitely about a search, even with the Starship Troopers sound behind it.

"Promises" puts us almost at the end of this very random journey I'm taking tonight. Seriously, this was on the New Release list, and that's why I'm doing it. Tuesday's are now new music days, if for nothing more that to give me ideas of what to write about. Anywhos, this track is fun and maybe even about being in love and enjoying it. I actually like the balance of the concept with the lyrics and the accompaniment. Actually.. the more I listen, the more into it I am. Nice.

"Departure" closes us out (of how appropriately titled). It's a much lighter retreat than the opening was, clearly showing some sort of acceptance and movement on. It's actually pretty gorgeous as instrumentals go. There's more to is than just a fade out, and I think it suggested the future, or even just a welcome to reality of life.

So what stuff wouldn't I mind hearing again?
  • "My Eyes" - 
  • "Guilt" - 
  • "Scorpions" - 
  • "Reaching Out" - 
  • "Promises" - 

5/14. Honestly, this is the kind of music I'll put on in the background when I need to get something done, because it doesn't require much thinking. It just sort of goes. And usually, I'll do it as a Pandora station, not on a whole-album basis. But a few songs did stand out to me, and I did add them to my rotation playlist to hear again.

As a side note, I started readying Wicked: The Life and Times of the Wicked Witch of the West (yes the book the show's based off of), and hearing music this in the background of the first couple of chapters was a trip. Seriously, if you need some good background music for an out-there story, this could do wonders.


Thoughts? Strokes of brilliance? Suggestions? (Seriously, I'm low on them.) COMMENT!

1 Comment
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