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Al Walser - "I Can't Live Without You"

6/3/2013

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Spotify Listen Link: Al Walser – I Can't Live Without You

2013 Grammy Nomination for Best Dance Recording for "I Can't Live Without You"

Okay, look at this track listing. 11 tracks. One song. Different mixes. Yikes. My question is, though - which was nominated to begin with?? *sigh* Here we go.




"I Can't Live Without You - Jerry Ropero & Dee Marcus Radio Edit" is the kick-off song to this single release. I'm going to go ahead and assume this is the version that garnered the nomination. It's okay. I mean, the vocals seem a little pedestrian and the build in the middle is just sort of thrown in your face. I can see it making for a good dance floor song though. The balance between sung words and insane music is pretty precise. And they transition between each other really well.





The next one sort of takes a little rock beat, with a drum set getting involved… and please tell me that "moo" came from somewhere else. "I Can't Live Without You - Malibu Mix" sounds different to me. I'm not loosing it already, am I? Or are those different words and even possibly different singers? If not, wow production - way to twist it into a whole different song!

"I Can't Live Without You - Rico Bernasconi Radio Edit" feels sort of the same. We trade out the drum set for a synth this time, giving it a just slight 80's-ish sound with a slight increased BPM amount too. (Here's where it gets tough to review this stuff: telling differences between, essentially, the same song.)

Alrighty, moving on: "I Can't Live Without You - Rico Bernasconi Extended Mix" is next, which means… it's a two-minute longer version of the last one? Ah, no, wait, it's been a while since I listened to remixes, and what that actually means is there are additional beats added to build up to different sections of the song and more repetitive verses and choruses. Loop loop loop loop.

"I Can't Live Without You - DJerix Mix" brings on something a little different, so awesome. The beat takes on a more stellar, space-like mix, almost what you'd expect dance music to be like at one point in time. Spaceship traveling - I mean, come on, you've got to just make up your own world to enjoy these things at some point.

I deem this on the Flo Rida remix. Seriously, I have probably heard the beat for "I Can't Live Without You - Maui&Chris Mix" at least a dozen times throughout the guy's own tracks. The remixer(s) on this one take the instrumental sections up pitch-wise enough to mess a little bit with your head. The beat's dance-worthy for sure though.

"I Can't Live Without You - Turnyboy Mix" is the one that'll blast your speakers a little harder than the other mixes. The bass is up to high that it's distorted through my computer speakers. Hey, at least we're getting a slight difference between each mix, right? That's something to be happy about.

Woo! Overdrive! "I Can't Live Without You - Dave Dee! Hands Up Radio Edit" moves super fast. Even if the lyrics aren't necessarily sped up as much, the whole thing basically (if not definitely) at least doubles in BPM in the backing. The first minute just has your heart completely racing. Then there's this slight, small break to breathe, but not for long. Holy moly, this one doesn't really truly stop until the tail end of things.

"I Can't Live Without You - Dave Dee! Hands Up Extende Mix" (not a typo - that's how Spotify presents the title) is just as fast, but instead we get 5+ minutes of the beat. There's just more and more of it between verses. Not surprising of course, just more to wait through to get to the next track.

And now for something shockingly different, "I Can't Live Without You - Alternative Rock Wildcafe." There are rare instances when a new mix of a song takes on an absolutely beautiful song, and that's what I was hit with when we started this song. Annddd at about a minute in it's sort of crushed because they get into that rev-up mode that is unnecessary, yet in ever dang dance song you hear. Sigh, I was so excited at the sweet beginnings of this one.

"I Can't Live Without You - Jerry Ropero & Dee Marcus Extended Mix" rounds things out as the final song. It does come in with a little bit of a different sound in the beats, more precise and probably not played by original hands. Oh, and there's a beeping coming in… hm. Okay, well, not how I would have loved to complete this journey, but you might as well give it everything and push every button for the final number, right? Have fun and experiment.



Added to My Playlist:
  • "I Can't Live Without You - Malibu Mix"

Yah know, it's always a little surprising to make it through multiple iterations of a song and not actually get bored. This, at the very least, kept things interesting throughout the entire collection, with just enough change each time to allow for commentary. Not a bad thing at all to spend the day immersed in.

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Diddy - Dirty Money - Last Train To Paris

12/26/2011

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wikipedia.com
I'm trying to fill out my "Stuff I Wouldn't Mind Hearing Again" playlist, and seeing what the records behind the songs I have on there are all about (other than those from already-done blogs, of course). One of the ones I have on there is "Coming Home" by this group, headed up by Sean Combs/Puffy/Puff Daddy/P-Diddy/Diddy, which was the very obvious big hit from this album.

Before I dive in, I feel like I need to clarify something - just because I write on these albums does NOT mean they are recommendations. I will make it clear at the end if the whole album is worth a listen, and I give my personal favorite track to check out. I am reviewing any and all kinds of music and artists that come across my screen; that doesn't mean I like the whole body of work. Yes, this is foreshadowing.

In addition to Sean, we've got Dawn Richard (originally from Danity Kane) and Kalenna Harper. Naturally, they're signed to Bad Boy. Their goal was a straight-edge group that gave a unique sound (my own take on Diddy's description) (and boy did they ever achieve that..). A new genre was apparently created: "futuristic soul."

Now, look, Puff Daddy is one of my musical idols. I love this guy and the work he puts into the industry. Hell, he can make a new genre and I feel he's totally within his rights! Awesome for him!

This is meant to be a concept album, following Diddy from London to Pairs to regain a lost love. It was the first album Puffy released when he moved Bad Boy from Atlantic to Interscope in 2009. It was an album about 3 years in the making, and there obviously a lot of work that went in, which you'll see in the tracks themselves. Also, about a million people put work into this. Gotta respect collaboration man.

I want to get down to it now - if you stick around through the whole track-by-track, there's a funny little story to share at the end!

We appropriately get an "Intro" to the story we're about to hear. Ooohh, wubwub. Seriously though, okay, cool. There's a, um, techno beat going on? Ladies and gents, this ain't no bad boy anymore. "Sometimes you meet somebody... and they just take your soul."


The first official song is "A** On The Floor" which includes guests Swizz Beatz, and I guess this is where he meets this girl. A marching drum beat kicks things off, and this is most definitely the club number. It's got the right beat for dancing and a few loops overlapping to keep things nice and regular for the clubbers. This was the third single released in the UK, and peaked at 80 on the US Hot R&B/Hip-Hop chart. One thing I have to hand it to this band for is that they managed to make detailed videos for every song. Here it is for this one:

Surprisingly wintery. Actually, the set sort of looks like it's from The Thing. Watch out... Dirty Money might be about to attack you!

Sorry, sorry. "Yeah Yeah You Would" with Grace Jones is next. I wish I liked this more, mostly because Grace is kind of a cool lady. But they make it apparent in the beginning that this is a brand new sound. I like that there's actual singing involved, but the auto-tune seems excessive and is downright annoying when it's noticeable. The song's when we realize she's left him. He's angry at her at this point.

"I Hate That You Love Me" is next. The beginning of the video released for it is pretty cool:
Old school Puff Daddy with a more mature classy look. I think this one might be from the girl's point of view after the breakup - she just wants out, and he's not letting go. I like this one for like... the first minute. Then I get bored with it all and want to move on.

Feel the bass. "Someone To Love Me" is next, and I'm actually digging this one a lot. I love the old effects on the vocals of the girls. The mix is great, and Puffy's on his game through the verses. Dude is moving on, but knows the pain's all still there either way. Analyzing rap songs for deeper meaning is kind of weird. Anywho's, here's the video, sticking to the simple color schemes they seem to be in to:
"Hate You Now." Come on, anyone else out there want this to sound like a spin-off of "Hate Me Now"? Am I alone here? Bah. Well, it doesn't. We're back to the girl again telling the story, singing "don't go," and I'm pretty sure this is the first time we see them get back together. You know how that works - there's always a relapse.

Next up is "Your Love" with Trey Songz. I think I may not even be old enough to hear this one. Kidding, kidding. It's not one made for a regular radio single though. Good for the raunchy late night clubs though. (Anyone ever been to the Casbah in AC? It's like that.)

JT!!! Justin Timberlake joins us for the next track, "Shades," but I'm not completely sure of where yet... There's also Bilal, Lil Wayne, and James Fauntleroy. Not enough JT for me personally. It's not horrible, but it's not great. He's basically telling her he'd do anything for her - even take off his sunglasses and stare at the sun. Idiot. Sorry.

"Angels," the next song, was apparently the first single. A previously recorded sample from The Notorious B.I.G. is used (nice to hear him again), along with an appearance by Rick Ross. The song takes a while to get started, and seems more old school compared to the rest of the album, which is almost refreshing. Here's the video they put together for it, nice and B&W. I think maybe they tried a little too hard to make it about a girl but remain an hommage to Biggie:
"Strobe Lights" is next, featuring Lil Wayne, who's probably one of the people I get the least enjoyment out of listening to ever. 

I got excited and couldn't concentrate because the next track features Usher, who is just beautiful in voice and looks. Get it boy. Time for "Looking For Love." *sigh* Here's the thing though. I don't like Usher's voice on autotune - he does NOT need it - never has, never will - get off the damn bandwagon. And Diddy... you are getting too old for these kind of songs. The guy here is realizing it about her, again, but hey, she's hot, so whatever, right?

Wiz Khalifa (<3), Seven of Richgirl, and Chris Brown join us for the next song, "I Know." I really like this one actually. He goes crawling back to her out of missing her too much. Let alone the story, the music is great on this - not quite as computerized. Everyone contributes greatness to this song. Very impressive.

"Hello Good Morning" is the next one, with T.I. coming on for it. Rick Ross isn't on the album version, but he's on this video release, or at least one of them. There's two videos for this actually. Instead of showing you either of them, I'm going to share the behind the scenes video! And, from personal experience, EVERY rapper/hip hop artist, no matter how big they actually are, acts like they're the best. It's a confidence = success state of mind.
I'm having flashbacks from a set a few years ago. *shudder* Oh, and Nicki Menaj is in the remix apparently. Woot.

"Yesterday" is next up, with Chris Brown. Okay, so he's back to missing her terribly. He gave her everything, and now has nothing. Let up off the damn auto-tune button, then build a bridge and get over it.

AHHHHH yay. "Coming Home" is next with Skylar Grey. Let's jump right into the video:
I have yet to find a situation this doesn't work for. I've used it in reference to many places, many travel situations, etc. It's just a great song that pulls at your heart in some way that I can't remember a rap song doing to me before. There's a strength in the walking beat of the chorus. Even the raps are pretty good, no matter how personal about Puffy it is. One thing - he's still not great at lip synching for videos. Oh well. I really just adore this song. "Let the rain wash away all the pain of yesterday; I know my kingdom awaits and they've forgiven my mistakes. I'm comin' home." Oh, and that helicopter slight reference to the army and them coming back to us - nice.

"Loving You No More" finishes us out, with Drake. They finally end once and for all. There's a video for this one as well, but I just need that last one to be our strong ending number. :)


Stuff I Wouldn't Mind Hearing Again:
  • "Someone To Love Me" - Spotify, YouTube
  • "I Know" - Spotify, YouTube
  • "Coming Home" - Spotify, YouTube
3/16

Clearly, this was not one of my favorite albums. It wasn't as boring as Kevin Hearn's, but not the right kind of weird like The White Stripes. Nothing was meshing with me, and it was a stretch for the ones I did manage to pick out.

The best way I can sum it up is that, if you are looking to hear an album of songs remotely like "Coming Home," you're not going to find it here.

Okay, funny story time. 

I live near Atlantic City. My mom was out with some friends one night and on the casino floor, when this guy walks up to her. Sharply dressed guy, with bodyguards. Extremely polite by her account. Yup, P-Diddy walked up to my mother randomly in the casino and started flirting with her.

After a minute or so of her being confused, he asked, in the nicest way possible, if she realized who he was. She didn't have a clue. He asked if she listened to hip hop. No, sorry... "but my daughter probably knows who you are." He took a step back: "Daughter?" She tells him, yeah, my 16-year-old. They had a good laugh, because he thought my mom was in her 20's, but instead found out she was in her 40's with a teenager at home. She still politely declined his offer for a drink, even after he found that out.

Diddy hit on my mom. He could have been my Daddy. Next fall, I saw him pull up to the VMAs with Bruce Willis and Naome Campbell in a giant yacht. All I can say was... that could have been me.

*sigh*



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