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Britt Nicole - "Gold"

6/22/2013

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Spotify Listen Link: Britt Nicole – Gold


2013 Grammy Nomination for Best Contemporary Christian Music Album.


Just scrolling through the Wiki page on this girl, and the first thing I notice is that she turned down a scholarship to my beloved Belmont to pursue music. Clearly she wasn't aware of what an amazing music program they had to prepare for her for a professional music life. Her loss, in my opinion.

But, I'm not here to judge. I'm here to listen to music. And actually, without realizing it, I have heard of this girl before! "When She Cries" used to come on my Pandora all the time, and I really loved it. That was from her first album, so I'm a bit excited to see where she's gone from there, 2 albums later.

An interesting note about this one though: there was a "mainstream re-release." I'm not sure why or what prompted that, but this has technically been released twice. Huh. Welp, we're listening to it one way or another, on yet another glorious adventure into the world of CCM!





The title track, "Gold" kicks things off. Now, I have to warn you ahead of time - the version that Spotify has up has the mainstream version's cover up. Annndddd I've totally heard this song. In all honesty though, I couldn't tell you if it was on a Christian station or on a Top 40. Either way, it fits in to both, and actually is a great feel-good track!

"All This Time" starts much more solemnly, kind of creating this vacuum of sound after that last track of crazy fun. The chorus helps make up for it, though I think the pulse of the verses vs. choruses doesn't really match well. But the subject of the song is really very nice. It's about the redemption you get when you give yourself over to God. In reality, He was there the whole time, you just didn't get it. 

Okay, a Trojan commercial just played between. tracks. Cue giggling. Seriously, it's a CCM album, you are not doing this right Spotify. Anywhos, "Look Like Love" continues to take us down the worship track, asking to be transformed and shine with God's light. Have I mentioned I went through a pretty heavy CCM phase a few years back? And in high school? My roommate even prayed over me. The heart needs these things sometimes. Anywhos, I get the phraseology happening here.

"Who You Say You Are" went right past me - ugh, I hate when I get caught up in something else. In this case, it was a job application for a Music Licensing Assistant job in LA for CBS - prayers please! Though Lord knows I've applied for plenty of things like this with no luck. But maybe this feel good, up beat song will help infuse a little hope into my life?




I really want "Ready or Not" (feat. Lecrae) to be an old song that I knew from Creations long ago. I'm guessing it's a different song though - yup, this chorus is not the same thing. Don't get me wrong, it's got a great beat and keeps going along. It's steady, I suppose you could say, and has very little give to slow down throughout.
"Breakthrough" has one inherent problem, and that's in the airy sound in the vocals. Something with this strong of a message should have equally strong and fierce vocals. These hang on their air a little too much for my taste. There's also this strong dance element to it, which helps and hurts. You can feel the dance breakdown on the cusp of the song, so it'd be interesting to see in a video or even live.


In a really nice mid-album move, we get the self-power song "Stand." I mean, it's about God's ability to give strength in the hardest times, but you get what I mean. It's that one that finds you in the crowd with closed eyes, arms out-stretched, and singing it out loud as if you were the superstar on stage shouting up praise. I was always a sucker for these, because they also make grey highway songs when you're coming home from a rough time.
"The Sun Is Rising" is the song sung after you've found your own strength and want to tell someone else that the same can happen for them. Or you can take it personally and rest assured that Britt Nicole is your friend and understands. OR you can take it as God's word of assurance. No matter how you cut it, this is a feel-good song of strength. The issue I take with it is the auto-tune at the end of the chorus sections that seriously screws with your listening experience. Maybe it's just me. Maybe I'm being nit-picky. Sigh.

Oh, happy time? "Amazing Life" is super happy to the extreme. Like, in every way possible. She talks about drinking… sunshine. Seriously, whoa super happy times. This could probably be found in a Christian dance club… do those exist? I never did figure that one out.

"Still That Girl" came in so quietly that I thought the album was over for a minute. It revs up though, which was a bit surprising. I don't think we've gotten one straight-forward ballad yet. That's not a bad thing, but it's all a little discombobulating when you're expecting an album to ebb and flow up and down in some sort of logical manner. This one just comes at you full force or sneaks in from the side - neither of which makes sense given whatever the last song was.

This one almost proves me wrong - almost. "Seeing for the First Time" at least builds a little more naturally. Honestly, it's a very beautiful song that takes on a great amount of power throughout. It's actually a shame it ends so early, which is saying a lot for a song that's only about four minutes long. But in that short amount of time together, we really do get a sense of something beautiful there.

"Gold (Jason Nevins Rhythmic Radio) Remix" takes us into the final, I'm guessing 'bonus' tracks of the album - the remixes! This particular one is probably the club version of the track, if it gets played in clubs. It's definitely the party version, that's for sure. There's even beat breakdown sections in it, which I can't say necessarily enhance the song that is otherwise incredibly poppy. But at least her auto-tune seems oddly at home in this version. The beat's infectious to move to, so you have to admit that the track really does do its job. And the chorus is just as ridiculously infectious and cute.

One more remix and we'll be done here. "Gold - Wideboys Remix" takes us to the end of the album. The vocals are just as sped up as the last one, but this time there's lasers! No, seriously, have you heard songs with that sound that seems to be straight out of a laser canon? That's all I keep thinking. This one repeatedly revs up with beats and music and the payoff is just loud and insane. Not that that's a bad thing, of course! Oh shit… there's a rap too. Hot damn. Can I say that in a CCM review? Yeeahhhh, sure, why not?


Added to My Playlist:
  • "Gold"
  • "All This Time"
  • "Stand"
  • "Seeing for the First Time"

Whew, this is a new route for Christian Contemporary Music. I mean, the pop-ness is not necessarily new, but the dance remixes were alway strictly TobyMac's thing, and even then it wasn't something you expected in a club. Britt's definitely treading the line of CCM/Mainstream, which was always really cool for me to see personally. I seriously hope she gets some airplay with some of this music, because she's infectious and a lot of fun.

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Al Walser - "I Can't Live Without You"

6/3/2013

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Spotify Listen Link: Al Walser – I Can't Live Without You

2013 Grammy Nomination for Best Dance Recording for "I Can't Live Without You"

Okay, look at this track listing. 11 tracks. One song. Different mixes. Yikes. My question is, though - which was nominated to begin with?? *sigh* Here we go.




"I Can't Live Without You - Jerry Ropero & Dee Marcus Radio Edit" is the kick-off song to this single release. I'm going to go ahead and assume this is the version that garnered the nomination. It's okay. I mean, the vocals seem a little pedestrian and the build in the middle is just sort of thrown in your face. I can see it making for a good dance floor song though. The balance between sung words and insane music is pretty precise. And they transition between each other really well.





The next one sort of takes a little rock beat, with a drum set getting involved… and please tell me that "moo" came from somewhere else. "I Can't Live Without You - Malibu Mix" sounds different to me. I'm not loosing it already, am I? Or are those different words and even possibly different singers? If not, wow production - way to twist it into a whole different song!

"I Can't Live Without You - Rico Bernasconi Radio Edit" feels sort of the same. We trade out the drum set for a synth this time, giving it a just slight 80's-ish sound with a slight increased BPM amount too. (Here's where it gets tough to review this stuff: telling differences between, essentially, the same song.)

Alrighty, moving on: "I Can't Live Without You - Rico Bernasconi Extended Mix" is next, which means… it's a two-minute longer version of the last one? Ah, no, wait, it's been a while since I listened to remixes, and what that actually means is there are additional beats added to build up to different sections of the song and more repetitive verses and choruses. Loop loop loop loop.

"I Can't Live Without You - DJerix Mix" brings on something a little different, so awesome. The beat takes on a more stellar, space-like mix, almost what you'd expect dance music to be like at one point in time. Spaceship traveling - I mean, come on, you've got to just make up your own world to enjoy these things at some point.

I deem this on the Flo Rida remix. Seriously, I have probably heard the beat for "I Can't Live Without You - Maui&Chris Mix" at least a dozen times throughout the guy's own tracks. The remixer(s) on this one take the instrumental sections up pitch-wise enough to mess a little bit with your head. The beat's dance-worthy for sure though.

"I Can't Live Without You - Turnyboy Mix" is the one that'll blast your speakers a little harder than the other mixes. The bass is up to high that it's distorted through my computer speakers. Hey, at least we're getting a slight difference between each mix, right? That's something to be happy about.

Woo! Overdrive! "I Can't Live Without You - Dave Dee! Hands Up Radio Edit" moves super fast. Even if the lyrics aren't necessarily sped up as much, the whole thing basically (if not definitely) at least doubles in BPM in the backing. The first minute just has your heart completely racing. Then there's this slight, small break to breathe, but not for long. Holy moly, this one doesn't really truly stop until the tail end of things.

"I Can't Live Without You - Dave Dee! Hands Up Extende Mix" (not a typo - that's how Spotify presents the title) is just as fast, but instead we get 5+ minutes of the beat. There's just more and more of it between verses. Not surprising of course, just more to wait through to get to the next track.

And now for something shockingly different, "I Can't Live Without You - Alternative Rock Wildcafe." There are rare instances when a new mix of a song takes on an absolutely beautiful song, and that's what I was hit with when we started this song. Annddd at about a minute in it's sort of crushed because they get into that rev-up mode that is unnecessary, yet in ever dang dance song you hear. Sigh, I was so excited at the sweet beginnings of this one.

"I Can't Live Without You - Jerry Ropero & Dee Marcus Extended Mix" rounds things out as the final song. It does come in with a little bit of a different sound in the beats, more precise and probably not played by original hands. Oh, and there's a beeping coming in… hm. Okay, well, not how I would have loved to complete this journey, but you might as well give it everything and push every button for the final number, right? Have fun and experiment.



Added to My Playlist:
  • "I Can't Live Without You - Malibu Mix"

Yah know, it's always a little surprising to make it through multiple iterations of a song and not actually get bored. This, at the very least, kept things interesting throughout the entire collection, with just enough change each time to allow for commentary. Not a bad thing at all to spend the day immersed in.

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Adele - "Live At The Royal Albert Hall"

6/2/2013

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2013 Grammy WIN for Best Pop Solo Performance


So, a little different approach to this one. There is a CD available with the tracks form this live performance, which was recorded and released as a DVD. However, it's not available to listen to on Spotify, and all of the buy links are for the DVD, so I can't preview things. 

Okay, really, I'm just excited because the whole thing is on YouTube (or, at least, I'll be tracking all of the parts down somehow) and I can just have fun watching a concert. You know, here, at home, alone, on a Saturday night.




And we fade in, coming up on the hall itself and the music starting up. We get a hand playing chords not he piano, and the crowd anxiously awaiting Adele herself. And up comes a giant silhouette against a white curtain as she leads us in to "Hometown Glory." She breaks after the gentle opening verse and waves excitedly to her adoring crowd, flashes going off everywhere. And now she's home singing it simply to them all. Nothing flashy here (other than the camera) - just an awesome voice going about her business.




"Royal Albert Fucking Hall!" I love that she's excited!! Also, I'm a sucker for balcony call outs. And she left a note in the audience for a girl! "I'll Be Waiting" is up next, and she considers this a fast one, hehe. It's really just slightly more upbeat and not quite as serious. I honestly don't remember this one quite as well as the others, but it's kind of cool.

"I'm pretty miserable on record, really." I adore this lady. "Don't You Remember" takes us 'swimming' into the sad songs. Ugh, and here we go - Janelle's sad Sunday afternoon. She's brilliant, this Adele. She takes these heartbreaking lyrics and weaves a story that will make you feel heartbreak like never before, even if you've never experienced it. And if you have? You're screwed for trying to hold back tears. Thank goodness this lady's smiling while she sings.



"Turning Tables"
is next, and you'll have to excise me for not commenting on whatever inevitable banter she included in-between the songs - part 2 of 7 was impossible to find on YouTube, so I found someone who uploaded some CD tracks. Anywhos, this song still lives up to its twisting loveliness. It hurts so fantastically. It's an assertion of independence after the torture of someone who can't make up their mind. Oh the irony of personal issues.



And now for one of the most mentally powerful imagery songs I've heard in a while, "Set Fire to the Rain." I just want to see glowing orange rain fall down in the background here. This is the first one I hear a difference from the album in the live version. It's actually even better, if that's possible. She's putting even more behind it as she sings. More intensity, more anger, more power. I really hated this song when it first came out. I resisted, but man, when you give over to it, there's not much better.


Well before we get to "If It Hadn't Been For Love" (a cover of Nashville-based band Steeldrivers), we get to hear about her love for Dolly Parton! And they re-set the stage in a way you actually do see quite a lot in Nashville. It's a more intimate setting with everyone closer in playing together. Also, she does this funny little disgust thing at the end of the first chorus. It's a different sound for Adele, for sure, but she brings her own soul/jazz sound to the whole country scene. Very different, but very cool.
Yay, part three is up and running! If I missed something, I'm very, very sorry. Anywhos, I'm jumping back into the show with Adele introducing her best friend, Laura. (at this moment I'd like to say HI JESS!) They've been friends for a very long time. In the meantime, the hi hat is just keeping beat with Adele as she talks about her friends and how amazing they are. How she fell out of touch with them and they reunited. (annddd Hi Panda. and Erin. and so many others.) Finally we launch into a song about Laura, which Adele wrote at 16, called… come on Shazam, help me out here. It's called "My Same." A cute little jazz number, I have to say. It's really interesting melodically (of course) and just feels like a nice little chill moment for Adele, her friends, and this sold-out audience.

"Take It All" is the next one up, and she gives us the story of how it was accidentally written when she came back to work with an old songwriter friend. She didn't want to write this, didn't want to be this angry, and hid it from her boyfriend for a few days. When she did play is for him, well, I won't blame the song itself, but they did break up a few weeks later. And a line in, she hates how she hits a note, stops, and starts again. Very few people can get away with that, but she's that conscious. Plus, she's recording this on the come back from that infection that took our girl away from us for so damn long.


Her saying they're upbeat and rare is sort of lost on me when she just did that a couple of songs ago. Though she did manage a "Sex In The City" reference, so that's fun. And that leads us into "Rumor Has It," one of my favorite and most clever Adele songs. This is, for sure, a song with a beat and a message and a damn good clever one at that. I love this because it just sticks it to the guy who can get his damn head on straight. And the way she trails down with those end-of-verse lines is just freaking hot. And holy shit, she just flipped the double bird at the end. I want to be Adele.
More, more, more! She gets this little groovy, almost reggae beat, going on with "Right As Rain." Yes, this is an upbeat one for sure. I'm also loving the audience members that are dancing in the crowd. How much friction' fun is this really simple concert? So simple, no wonder they recognized it for music's night.

Cool shout out to her background singers, since their "dancing professionals," and acknowledgment of the chair being out of laziness. Adorable. This is apparently the only song on the record that's not about her ex (whom she owes her fame to). This one is about the last guy that pissed her off, and she isn't over it. "Anyone who's come to the show tonight with a friend that you're in love with, just fucking tell them." This is "One and Only," a sweet ballad that has that wonderful smokey jazz sound to it. I adore this song in a way that a longing in-love girl only can.



"Lovesong,' a cover of one of the best songs The Cure has ever done, is next up and incredible. This is a cover she's done on her album, and it was always one the intrigued me to no end. Females singing traditionally male songs are always interesting, and it's usually either hit-or-miss. Hearing her take this on live is very cool, because it takes the incredible sound from the studio and just smacks you in the face with the realization that this lady is the real deal.
Her first proper single anywhere was "Chasing Pavements," and yes, I love this one too. It's such a tough one. You want to leave, but you want to stay and continue this possibly pointless walk. But at the end of the day, the heart wants what the heart wants. Anywhos, I suppose I should comment on instrumentation at some point in this thing, right? In this case, it's the strings that subtly make it for me. You barely notice them until the build where they take over and make the music happen.

Bonnie Raitt's "I Can't Make You Love Me" is about to come out of Adele's mouth. I should just faint now. If you've never heard this, get out from under your rock and cry a little bit. This is one of those songs that you remember when you hear Adele, so to hear her sing it is really something awesome. It's a soulful song of sadness and realization. 

She's singing this one as a devotion, and calls for everyone to get those phones out to wave them, or else she won't sing. She loves the star look in the audience, and starts in on "Make You Feel My Love." Seriously, all sadness, but you can't help getting caught up in the beauty of it all. Between the phones and the disco ball shining little lights all over the place, it really is a beautiful venue even more so than normal. This will have the stress melting off your shoulders and your heart hurting, all at once. And then you giggle when you see the one lady waving her phone that the screen has gone off and black on a while ago. And then she sits there and admires the steel guitar, which is just a really cool music moment.
And off she goes for a breather. I only know this because she just promised us that wasn't the last song. And I believe Adele wouldn't lie. Gotta love the artists that acknowledge how silly encores are when you don't have 20 years of music to back you up. She gets boxed into it though, so she's back out to tell a story about how she's remained friends with the guy the album is about. They laugh about it, apparently. And 10 MILLION copes of "21" have been sold. Anywhos, this is that 'one song' that she's fully confident in and feels moved by, "Someone Like You." I wrote this entire paragraph before the song even came on because all I want to do is feel it. Sigh. Adele is in tears after that, so I really don't feel that bad about the effect at all. The crowd sang it back to her and got her going, and it's incredible watching such an inspiring lady get so affected by the words she wrote and legitimately feels.

"Rolling in the Deep" finishes out the evening with the audience dancing and screaming it out at the top of their lungs. It's really an incredible moment, watching an artist love it as much as they do. The whole thing is an awesome example of how damn good a live performance can really be.


Added to My Playlist:
  • "Hometown Glory"
  • "Don't You Remember"
  • "Turning Tables"
  • "Set Fire To The Rain"
  • "Chasing Pavements"
  • "Rumor Has It"
  • "Right As Rain"
  • "One and Only"
  • "Lovesong"
  • "I Can't Make You Love Me"
  • "Make You Feel My Love"
  • "Someone Like You"
  • "Rolling In The Deep"

I almost left this one without a final thought! Silly me. I just enjoyed it so much that I figured the work would speak for itself. Really though, let's face it - she never fails to impress. I've heard all of the recordings, but this live album was just perfectly different and reassuring that the lady has it beyond what folks can even consider. I look up to her and that voice so much.

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The Chemical Brothers - "Don't Think"

6/1/2013

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2013 Grammy Nomination for Best Dance/Electronica Album


Live album time! This one was also made into a DVD, like a recent Adele review I did, but at the Fuji Rock Festival in 2011.

I'll admit, despite knowing the name pretty well, I don't know a dang thing about these two. I do know that they didn't release this one to Spotify, so I'm off to find other means to listen. And thank you in advance, Wiki, for letting me know what album each track is from. I'll sound so much more educated that way!

So, as far as a little background, even for just my own benefit, you and I may also know them as The Dust Brothers (and yay, I sort of knew that before!), The 237 Turbo Nutters, or Chemical Ed & Chemical Tom. They came out of Manchester (like Fatboy Slim, The Prodigy, and The Crystal Method) around 1991 and brought "big beat" to the masses. They've also won two Grammys before.



Unfortunately, I'm going to have to do this one off of samples on iTunes, so bear with me. The first mixed track is "Another Word" (from "Further") / "Do It Again" (from "We Are The Night") / "Get Yourself High" (from "Singles 93-03") This is the first of 11, though there were 20 songs recorded and performed for the DVD recording. Whatevs. At least there's a taste to be had. Sorry folks - if I weren't unemployed right now, I'd go ahead and buy it, but I'm sure you know how it is. Anywhos, between the blinding crowd and sound, you can't get too much, but damn, this sounds like an exciting live show.
"Horse Power" (from "Further") / "Chemical Beats" (from "Exit Planet Dust") are up next… oh, I get it… we do actually get almost all of the 20 tracks, save like, 2-3. Hey, did you know I was blonde? Mhmm, sometimes I let it show. Anywhos, talk about ridiculously wrapped in electronic noise. The beat's incredible, even if I only get 30 seconds of it. 

It sort of makes me laugh that (Live) is after every track name. I'm leaving that part out. Already filling up enough space with track titles and album titles here. "Swoon" (from "Further") / "Star Guitar" (from "Come with Us") actually has a really awesome bit of electric rock in it… even if I did make that genre up just now. It kind of glides on this separate plain while you are probably swaying in the crowd listening.

"Three Little Birdies Down Beats" (from "Exit Planet Dust") / "Hey Boy Hey Girl" (from "Surrender) seems so far away… I think I caught the tracks right in the midst of transition though (way to go iTunes). The crowd goes nuts as they amp up into what I assume is the second song in that set.

Alright, next up is "Don't Think" (from "Further") / "Out of Control" (from "Surrender") / "Setting Sun" (from "Dig Your Own Hole"). "Don't Think is from "Black Swan," right? Sorry, just going off of info I've heard in passing. The part that I got a glimpse of here (not sure which song, sorry) is just up and down and getting the crowd going along with it. It's kind of awesome to hear them give over to the beat vocally too, since I'm sure the physical movements from it are at a high.




"Saturate"
(from "We Are The Night") has them going to. There's clapping of a steady beat as this electronic one comes in and out, up and down, just sort of screwing with your head as it goes. I may be the only one who gets that feeling, but of well. I'd love to hear more of it jut to determine if the sound ever changes. The 0:30 I get is just this repetitive boop-boop-boo-boop sound over and over again.

Now "Believe" (from "Push The Button") is one I'm pretty sure I've heard before. Again, it's loud and in your face, with these high-pitched moments that would be enough to drive you mad all on their own. However, the full mix is pretty well done and balances out the highs and lows nicely.

"Escape Velocity" / "The Golden Path" (from "Further" / "Singles 93-03") is legitimately done together in the show to. Interesting how these tracks were compiled over all for the CD version. I had to go back and hear it again just to figure this out (and I know that once i find videos for this all, I can probably string together more complete thoughts), but the little bit you get is like a rocket getting ready to launch.





In a little more of a subdued mode, and even a word or two mixed in, we get "Superflash," which was an unreleased track. It's got something beating in the backing, but that's not the point of the song. Or at least it's not the point that I'm getting. The transient nature is really very cool, and seems to create the moment in the concert that you can sort of forget and zone out for.

"Leave Home" / "Galvanize" (from "Exit Planet Dust" / "Push The Button") is another actual combo track. I guess they smushed the first half of the concert together, then let the rest shin on their own. Oh well, whatever floats your boat. This bit had a slight rap to it, against super charged music, which is how I always remembered The Chemical Brothers sounding.

The final song, "Block Rockin' Beats" (from "Dig Your Own Hole") isn't the last song listed on the DVD tracking (that would be "Das Spiegel," but it does give an interesting rock twist to the end fo an otherwise very electric album. The drum's take on lead here, and it's awesome.


Added to My Playlist - or rather, what would be is Spotify would GET THE STINKING ALBUM!!:
  • "Horse Power"
  • "Galvanize"

Well, this may go down as the worst review I've ever written, and that's my own damn fault for now sucking it up and searching the web harder for a way to hear the full thing. But, if it helps, what I heard was really great.

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