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Katy Perry - "Teenage Dream: The Complete Confection"

4/10/2013

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Spotify Listen Link: Katy Perry - Teenage Dream: The Complete Confection

2013 Grammys:
  • Nomination: Best Pop Solo Performance, "Wide Awake"

So, I'm really doing this again? I reviewed the original version of this and remember really liking a lot of it. Granted, some songs were also very painful to get through. And now she's re-released, and of course the ONE song that got a Grammy nod is on the re-release. And because I'm neurotic, I have to review the whole thing to make it count on my list. It's okay, most of this will be fun. I haven't gotten a good pop album in a while.

Oh, and if you're wondering, I'm assuming the re-release was because of the huge breakup from Russel Brandt. I mean, "Wide Awake" is completely about her liberation from the situation. So in a sense, this time, we get the full story. Heh, get it? The title implies that.




We start off with one of my favorite songs of the year "Teenage Dream." Seriously, I just don't get sick of this. It's fun and poppy and completely about being in love. I'm just young enough to still re-live my sweet teenage days in my mind (while ignoring the not-so-sweet) and still wish for some of them and absolutely that feeling again now. Also, Darren Criss has since done a slow version of this that makes me melt even more than the original version he did. And lord knows it's all about Darren.



"Last First Night (T.G.I.F.)" comes up next, and yeah, by now I'm already remembering why I adore this album. Apparently I forgot - though looking ahead to the next track I remember the detest. Anywhos, talk about one of the best videos in recent memory, and speaking of Darren Criss, if you've somehow been living under a rock, watch the video to the side here. Hanson's in it, for God's sake. How does it get better. Also, when you're a 20-something girl, this is positively one of the best Friday-night-party-songs you can find. 


GAHHHHH Now I remember why I didn't entirely enjoy this. "California Gurls" is possibly one of the most annoyingly catchy songs that has come out in the past ten years. I say all of this as a through-and-through JERSEY GIRL - so give me a break. I want to like it, but have absolutely no reason to unless I'm on the west coast and, well, I rarely ever am. And not sure what happened to the original video they released on YouTube, but maybe it was just too inappropriate for the site and isn't there anymore. This is the Live version from letterman.



Now "Firework" is another incredible song. I didn't really expect to get something inspirational from Katy, but this song took me completely by surprise. It's a concept I don't think anyone else has considered, but positively wonderful. The video's a little on the weird side, but I can get over that. The message is inspiring. I even heard a principal quote it for a graduation speech. The backing dance beat helps to give the fun element too. 






"Peacock" 
is one that never has and probably never will make sense to me. Katy reminds us here that she's a bit on the scandalous side with a song that's got quite obvious innuendos. I don't find anything I like in this though. I'm even making an effort to be in to the beat a bit and have fun, and it's just not entertaining at all, or even catchy. A low point in the album I think.

I always forget about "Circle the Drain." It's just not a title that's ever stuck out to me. It's also the first song with no video! Sad. It's a pretty damn intense song. He's got an addiction and she's one her way out before he hits rock bottom. She doesn't need this shit and is moving on and out. This is also the point in the album that we loose some of the pop element and get an spaced-out rock anthem. It's a strong sound and statement.




So the title "The One That Got Away" has pretty damn obvious meaning. She talks about not planning for something like this, but who ever can? Who ever wants this situation anyway? But yeah, it exists. But anyone in it has had the "what if" fantasy in the chorus. Clearly I've been through it, as most girls have. At least she puts it to a great beat to move to and avoid the crippling sadness it could otherwise totally consist of.

"E.T." has totally grown on me since the first time I ever heard it. It's one of those songs I completely wanted to hate. I blame Yellowcard for my love of it though. They did a cover where I could actually understand every word and fell for it. The beat alone was always good, but once I got the spacey awesome lyrics too, I was completely entranced. Oh, it's inappropriate for sure. But once in a while a song like that really works.

In an little more of an intense number, "Who Am I Living For?" comes at us. She's still stuck in interstellar mode with the sound here, but at least it's not out of nowhere after the last number. It does take us closer to earth theme-wise though. This is a more insightful, tough number on a personal level for the girl. I think this was on the first iteration of the album, but whether it was or not, I hope Katy was able to take this even more to heart after everything.

"Pearl" was always one that I liked. It's a hard realization to come to when you see that you're not the person you once were or were meant to be. It's especially scary to realize it's because of someone else. Seriously, if you're reading this: please don't let anyone else put out your light. You're better than that and worth so much more. 

With a line like "You make me feel like I'm loosing my virginity" right out the gate for "Hummingbird Heartbeat," I wasn't entirely sure this one would be something I could get in to. But as the song goes on, it just turns in to a lot of fun about being in love and silly.  It grows on you for sure, just enough to get up and dance around to. Just be careful not to do that in your local Starbucks like I almost just caught myself doing here…

"Not Like The Movies" hit me at the wrong/absolutely right time. The simple version is that my dream movie guy brushed me off. We all want the fairytales, but sadly you get the heartbreak instead. She's cute and keeps hope alive. Anywhos, I appreciate everything about this song: musically, it's on the simpler, heartfelt side, and lyrically she spins some beautiful metaphors around each other to remind you of what you dreamed of for so long.

Luckily for me, these songs were broken up by a Yeah Yeah Yeahs commercial - thank you Spotify. I may have started crying in the middle of the coffee shop if "The One That Got Away - Acoustic" had come on immediately next. It's devastating emotionally when a fun pop singer takes on a seriously sad ballad. And then she takes it to the acoustic realm? Well my tear ducts are screwed.



"Part of Me" had me loving Katy all over again. I mean, "Wide Awake" is a great song, but this one was the power song after the tears were dried. She took control of herself and her career and jumped back into our lives as the strong woman we always wanted her to be. And how empowering is that feeling of awareness in yourself? Every girl needs this one after a breakup or bad fight or attack on her character. Stand strong on your own two feet and be better than he could ever make you or allow you to be, and dance to the awesome beat while you're at it.



Now, "Wide Awake" came out INCREDIBLY fast after the breakup was announced. I almost feel like she had this one in her back pocket and just happened to find the right time to throw it out into the world. Obviously, everyone had her back on it and adored the new piece. The dream was over and reality had set in, you know, like it does. You hit the concrete and have to figure out the next thing - but that's not bad at all. 




"Dressin' Up" is a little trip back to Katy's raunchy side. I mean, guys, we can't forget that Katy Perry knows how to give us a sexy party song like no one else. This one's not a favorite, personally, but if it came on I wouldn't necessarily stay off the dance floor. Speaking of which, friends, we need a dress up and go out and be insane kind of evening.



And now we'll take on the new versions of the old songs. First up is "E.T. - feat. Kanye West." Now, remember, the video that came out (on the side here) actually used this version, so technically this is the actual single. But I don't know, I like it without the rap included. He's got a way of making it feel just a little over-dirty. At least before there were innuendos, whereas now he makes it full-on all about the sex. Eh.
Now here's one I haven't actually heard. "Last Friday Night (T.G.I.F.) [feat. Missy Elliott]." Also, where's Missy been? I thought she was making a comeback a while ago. Anywhos, this version looses a little of its steam with the rap right at the beginning, but I guess once it gets going it's pretty good - but not much different at all from the original. Tag a rap on and I guess you've got a remix…?


We end things in a way only Katy can do well - with a smash up! This final song is "Tommy Sunshine's Megasix Smash-Up." Eh, it's a re-lease and a pop album. I don't blame her for going this route. Mega-mixes need to be used more often anyway. At least this one creates a good party vibe to end a very up-and-down album.


And yes, that's Hanson in the background of this paused moment.
Added to My Playlist:
  • "Teenage Dream"
  • "Last Friday Night (T.G.I.F.)"
  • "Firework"
  • "Circle the Drain"
  • "The One That Got Away"
  • "E.T."
  • "Pearl"
  • "Hummingbird Heartbeat"
  • "Not Like The Movies"
  • "The One That Got Away - Acoustic"
  • "Part of Me"
  • "Wide Awake"


Wow, I can't believe a 19-track album is over already! It's been a lot of fun, and always is when you actually know the track ahead of time. There's also that emotional roller coaster that Katy Perry decided to take us on, starting so high, dipping so low, and coming out evenly to familiar ground. Overall, I really enjoyed the ride, like I may not have expected, once again reminding me of my love for this lady's unique and fun work.
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Katy Perry - Teenage Dream

2/8/2012

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First off, her nominations this year. This album was up for four last year, but the release of "Firework" was within whatever span of time the Grammys uses to nominate, so it is up for Record of the Year and Best Pop Solo Performance.

Personally, I loved One of the Boys for the nature of the songs. They were interesting to listen to and relatable for girls. I think she hit the mark with that album.

Now, this album, I go back-and-forth with. I like a few of the songs for the same reason as the older ones, but she went much more Pop with this album. Everything's an outreach for the younger crowd who doesn't really get it. But it's still a lot of fun. I feel like you can't help but dance around to a lot of her songs - well, girls can't at least. 

Let's see some of the highlights here. This is Katy's third studio album. The themes are said to be love, image, empowerment, and partying. Basically, youth. It hit #1 on the Billboard 200, and has sold over 2 million copies here, and 5.5 million worldwide. We're at five #1's later, and the current single is hovering in the top 5 as we speak. When "Last Friday Night" hit #1, Katy became the only artist since Michael Jackson to have 5 number one singles from one album (his was Bad). So yeah, she's done a pretty good job here.


"Teenage Dream" kicks things off.

Where are my Warblers singing this? Seriously, I have an obsession with the Glee/Darren Criss version of this. Not that Katy's isn't fantastic too. It's a great driving song, as the video displays. It's also a song for the 20-somethings and up, not necessarily for the teenagers. It's a lot of memories of being a wild and free teenager and being so in love that you can just get that crazy again. Gah... love. Crazy. Stupid. Love.

And now for one of my favorite videos of the past year.... "Last Friday Night (T.G.I.F.)."
Let's just start out by saying: Darren Criss, Kevin McHale, Cory Feldman, Debbie Gibson, and, most importantly, Hanson. Kenny G's pretty cool too. Could have done without Rebecca Black. Now that we've gotten that out of the way... um, how freaking hilarious is this whole thing?? Also, the Glee version of this is awesome. Just saying. Yes, it's probably the most pop of all pop songs I've heard in the past few months, but damn is it fun and catchy. One discussion a friend and I have had several times - if she doesn't remember anything, where did the song come from? My justification was always the credit card receipts that she maxed out, because the bank had to have notified her that they were maxed out. And now I've officially been talking about this song too long.

Next up, the song that I'm predisposed to hate, "California Gurls" featuring Snoop Dogg.
Well, what do you expect? When she outright tells Rolling Stone that the song's a response to "Empire State of Mind" because California's better, yeah, the East Coast music girl is going to hate it immediately. However, the Candyland theme is really kind of spectacularly done. There's a 30 minute making-of video on her YouTube too, which I didn't watch, but crap Art Department - whoa. Nicely done. Still hate the song though. East Cost forever, yo.

Moving right along, because the first 4 songs were all singles, here's the next one, "Firework."
Love this song. Come on, it's got to be one of the best encouraging songs to come out this year, and yes, I think it does deserve the Grammy nominations it received. It was commercially successful, and spoke to generations. I even heard a principal recite lyrics to it at a graduation. Now, the fireworks coming out of Katy were a little weird, but the stories of the kids were wonderful. This is one of those songs I still listen to some mornings just to get up the confidence for the day. It's got great verses if you're listening, and then the choruses burst out of them all, just like the subject. All-around, just a great song.

Onto one that's not actually a single, the next track is "Peacock." This may not make it to single status. Heh. It's just a little more annoying that the other ones. It is, after all, one of the explicit labeled tracks from the album. It's kind of got a good beat though, and it's fun enough to go well with the album, but I don't know. Not a great follow-up to the last one.

"Circle the Drain" has a little more edgy feel to the music right off the bat. It's a pretty intense one actually. There's a drug addiction, and she's got the good sense to not want to remain involved and be the savior. Probably something that more than a few of us could stand to hear. "Can't be your savior, I don't have the power. I'm not gonna stay and watch you circle the drain."

Next one's the latest single, "The One That Got Away."
If you remember "Thinking of You" from the last album, this one's got a lot of the serious strains that one did. It's so... sad. I think we all hope that this never becomes a theme song for us. That bridge, as a side note, drives me absolutely insane. It's just so annoying. Back to my original point though - I think I don't like this song because of the dread of relating to it too much in the future. I never want to look back on this song as something I understand the horrible feeling of.

Onto the one that's supposed to be about falling in love with a foreigner, here's the video for "E.T." featuring Kanye West.
Again, production value on her videos is really fantastic. I never really liked this song though. It just never hit well with me I guess? There's an awesome Yellowcard cover of it though, on YouTube. I strongly recommend checking it out! Okay, paying attention, promise. They seriously went to outer space here. I kind of have to ignore the video entirely to enjoy the song in the least bit. I do love the beat to this song - it's more prominent than the other songs and gives the song more umph. A little too much sex to Kanye's parts though. Otherwise, I guess I can stand the song.

"Who Am I Living For?" begins the final stretch of non-single songs. The outer space feel sort of continues with the ominous tones throughout the start. I don't like the music on this one at all. Here is where I get the comments from some reviewers that this album was over-produced. This one could have been pulled way back, at least for the album version of the song, and been much more impact-ful.

One of my favorite non-singles on the album is "Pearl." Again, a little much on the production, but it's a great song about who a girl used to be and what she could be. It's a strength song, even though it's hidden beneath what a guy has done and controlled in her. Trust me, those of us that have been there know how valuable this song is. 

"Hummingbird Heartbeat." The opening line, mind you, is "you make me feel like I'm losing my virginity." It's in the same vein as "Teenage Dream." So much love that you feel unreal. I think it's a really adorable song actually. Musically, it's fun and got more guitar to it that brings it enough out of the pop realm to be okay. Definitely a dance-around-your-room sort of number.

The final song is "Not Like The Movies." It's the major slowed-down song on the album, making it an interesting choice for the final album track. It's for all us hopeless romantics out there. "If it's not like the movies, then that's how it should be." I mean, when you're talking about love, yeah. It should feel that fantastic. "When he's the one, you'll come undone, and your world will stop spinning... and it's just the beginning."



Added to My Playlist:
  • "Teenage Dream" - Spotify, YouTube
  • "Last Friday Night (T.G.I.F.)" - Spotify, YouTube
  • "Firework" - Spotify, YouTube
  • "Pearl" - Spotify, YouTube
  • "Hummingbird Heartbeat" - Spotify, YouTube
  • "Not Like The Movies" - Spotify, YouTube

FULL SPOTIFY ALBUM LISTEN LINK



This is a really good album. It's not past the line of greatness as a whole, because the songs that suck are really bad. But it's a good one, and the good songs on it are borderline great. The thing that sets Katy apart isn't her voice, because it's not that great. It's not even her looks, as out there as she may get. It's her songwriting. She's unique and write what she wants and how she wants. That's admirable, and it shows.
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